Venus
Venus
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Venus
2022 Oil and Acrylic on canvas, 220cm x 160cm
New York Life
New York
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New York
2020 Oil on canvas, 120cm x 120cm
Wrestling Series
Wrestling Series 01
Wrestling Series 02
Wrestling Series 03
Wrestling Series 04
Wrestling Series 05
Wrestling Series 06
Wrestling Series 07
Wrestling Series 08
Wrestling Series 09
Wrestling Series 10
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Wrestling Series 01
2019 Oil and Acrylic on canvas, 220cm x 160cm -
Wrestling Series 02
2019 Oil and Acrylic on canvas, 220cm x 160cm -
Wrestling Series 03
2019 Oil and Acrylic on canvas, 220cm x 160cm -
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Wrestling Series 04
2017 Oil and Acrylic on canvas, 220cm x 160cm -
Wrestling Series 05
2017 Oil and Acrylic on canvas, 220cm x 160cm -
Wrestling Series 06
2016 Oil and Acrylic on canvas, 220cm x 160cm -
Wrestling Series 07
2016 Oil and Acrylic on canvas, 220cm x 160cm -
Wrestling Series 08
2016 Oil and Acrylic on canvas, 220cm x 160cm -
Wrestling Series 09
2019 Oil and Acrylic on canvas, 220cm x 160cm -
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Wrestling Series 10
2017 Oil and Acrylic on canvas, 220cm x 160cm
Collage
Waterpolo
Horn
Trafo
Kiss Series I.
Kiss Series II.
Kiss Series III.
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Waterpolo
2012, collage, oil, 122cm x 171cm -
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Horn
2012, collage, 86cm x 119cm -
Trafo
2010, collage 86cm x 72cm -
Kiss Series I.
2013, wood fiber 100cm x 70cm -
Kiss Series II.
2013, wood fiber 100cm x 70cm -
Kiss Series III.
2013, wood fiber 100cm x 70cm
Heads Series
Head series 01
Head series 02
Head series 03
Head series 04
Head-series 05
Head series 06
Head series 07
Head series 08
Head series 09
Head series 10
Head series 11
Head series 12
Head series 13
Head series 14
Head series 15
Head series 16
Head series 17
Head series 18
Head series 19
Head series 20
Head-series 21
Head series 22
Head series 23
Head series 24
Head series 25
Head series 26
Head series 27
Screaming 28
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Head series 01
2013, enamel paint 100cm x 70 cm -
Head series 02
2013, enamel paint 100 x 70 cm -
Head series 03
2013, enamel paint 100 x 70 cm -
Head series 04
2013, enamel paint 100cm x 70cm -
Head-series 05
2013, enamel paint 100cm x 70cm -
Head series 06
2013, enamel paint 100cm x 70cm -
Head series 07
2013, enamel paint 100cm x 70cm -
Head series 08
2013, enamel paint 100cm x 70cm -
Head series 09
2007, Acrylic and oil, 29cm x 21cm -
Head series 10
2007, Acrylic and oil, 29cm x 21cm -
Head series 11
2007, Acrylic and oil, 29cm x 21cm -
Head series 12
2007, Acrylic and oil, 29cm x 21cm -
Head series 13
2007, Acrylic and oil, 29cm x 21cm -
Head series 14
2007, Acrylic and oil, 29cm x 21cm -
Head series 15
2007, Acrylic and oil, 29cm x 21cm -
Head series 16
2007, Acrylic and oil, 29cm x 21cm -
Head series 17
2007, Acrylic and oil, 29cm x 21cm -
Head series 18
2007, Acrylic and oil, 29cm x 21cm -
Head series 19
2007, Acrylic and oil, 29cm x 21cm -
Head series 20
2007, Acrylic and oil, 29cm x 21cm -
Head-series 21
2007, Acrylic and oil, 29cm x 21cm -
Head series 22
2007, Acrylic and oil, 29cm x 21cm -
Head series 23
2007, Acrylic and oil, 29cm x 21cm -
Head series 24
2007, Acrylic and oil, 29cm x 21cm -
Head series 25
2007, Acrylic and oil, 29cm x 21cm -
Head series 26
2007, Acrylic and oil, 29cm x 21cm -
Head series 27
2013, enamel paint 100cm x 70cm -
Screaming 28
2014, oil on canvas 175cm x 145cm
Move – Dynamics
Mirror 01
Madonna 02
Gateway 03
Fish-man 04
Carnival I. 05
Pink 06
Connection 07
Carnival II. 08
Puppets 09
Jumper 10
Street life 11
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Mirror 01
2018, Oil and Acrylic and canvas 110cm x 140cm -
Madonna 02
2006, Oil on canvas 150cm x 220cm -
Gateway 03
2018, Oil on canvas 70cm x 120cm -
Fish-man 04
2016, Oil on canvas 60cm x 40cm -
Carnival I. 05
2010, Oil on canvas 180cm x 130cm -
Pink 06
2012, Photo and Oil 29,7cm x 21cm -
Connection 07
2010, Oil and Acrylic on canvas 130cm x 180cm -
Carnival II. 08
2010, Oil and Acrylic on canvas 275cm x 165cm -
Puppets 09
2009, Oil and canvas on wood fiber 160cm x 140cm -
Jumper 10
2006, Oil and canvas 155cm x 200cm -
Street life 11
2013 Oil on canvas, 175cm x 145cm
Move Drawing
Contemporary dance I.
Contemporary dance III.
Contemporary dance IV.
Contemporary dance V.
Contemporary dance VI.
Contemporary dance VII.
Contemporary dance VIII.
Street life I.
Street life II.
Street life III.
Street life IV.
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Contemporary dance I.
2015 enamel paint On paper ,60 cm x 80 cm -
Contemporary dance III.
2015 enamel paint On paper ,60 cm x 80 cm -
Contemporary dance IV.
2015 enamel paint On paper ,60 cm x 80 cm -
Contemporary dance V.
2015 enamel paint On paper ,60 cm x 80 cm -
Contemporary dance VI.
2015 enamel paint On paper ,60 cm x 80 cm -
Contemporary dance VII.
2015 enamel paint On paper ,60 cm x 80 cm -
Contemporary dance VIII.
2015 enamel paint On paper ,60 cm x 80 cm -
Street life I.
2008, Enamel paint 91cm x 77cm -
Street life II.
2008, Enamel paint 100cm x 92cm -
Street life III.
2008, Enamel paint 91cm x 77cm -
Street life IV.
2008, Enamel paint 100cm x 70cm
I am interested in expressive and gesture painting and also in solving visual questions with the help of their tools. During my studies at the university I have been in a constant search of my way. First I painted still-lifes then I worked with strong gestures, and vivid, blissful colours. I gave human qualities to objects. After a while I started thinking of compositions which seemed really gripping.
The collage technic had already attracted my attention earlier. I started working with them in the third year using posters first. In the streets I found time-worn, torn posters due to sticking them on top of each other. I tried to use this feature in a pisturesque way. Having taken these torn original posters and the photos of them to the studio I noticed that their original meanings had significantly changed. I tried to enhance this change by adding extra materials to them. This gave them a different meaning..
Often there are realistic forms or photos on posters and it is difficult to work them together as a unit by the fracturing technic of a collage. It is problematic to integrate an optical vision with an inner picturesque notion.
The human psyche is among others the play of phantasm and reality. I have tried to form pictures from the figurative images evolved in me which involuntarily refer to everyday situations.I portrayed them with strong expressionism and emotional bursts. I tried to approach the notion through bodies of odd, aggressively behaving faces. Within notions I pictured water sports, later on street life and finally night life. From the above I tried to catch and separate the instantaneous situations and paint them. Usually I worked in large size which is spectacular. Full of tension and barbarity. Touchable, wildness , trepidancy , confusion and brutality, which refers to instinct life. I went into states stretched to the breaking point and tension outbreaks.I focused on deforming faces and stressing grotesque ironical moments. Using collage technic was evident. To start with I tried to illustrate one or two figures, later I was getting to be more excited about chaos and crowd that almost strech the canvas.
The dancers and their dancing in my pictures are not in connection with historical dance symbolism. There are some identical features – here it also means some sort of emotional unity, bonds of fellowship, it realises the person’s freedom in company though here it is strongly distorted… dance
as part of ceremonial and ritual means of contacting the transcendent. My figures are liberating to dance, they are profane, vulgar. I call these dancers, figures “victims” who are troubled as if they all had some difficulties. They express violence and sensualism. Compound of complexes and terror. Yet their dance is some sort of a sign giving force. As Sándor Weöres writes in his poem: Dance “Sign language spinned of body”
I am more and more interested in the inner world. What is unseen in everyday life is what I am looking for. I observe strange faces and their distortions. Faces reflect the core of personality. It becomes visible for the outside world.The beings created by me are strange with blank look. In an imagined place, imagined figures whose faces are distorted in the on-going constant move. They care for nothing but turning out of themselves and then living for the moment. There is no connection between the figures. They form a separate world on their own. They do not care for outside, responsibility. They only hunt the experience of catharsis that actually does not even exist only in their minds. They provoke everything and they only care for carelessness. They are searching ways and it has no end.
This is the same with painting. Continuity motivates it from one picture to another and it takes the thoughts, gestures or even subconscious images further. The unknown , the incomprehensible is always fearful, threatening. The subconscious contents seem dangerous until undealt, bottled up and neglected. The lack of consciousness in paintings often arise in the making process which means indulging in gestures and memories. One needs to step out of the outside world, close out everything and then nothing can dislocate you from this strong feeling.